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Page 7 of 7 Sufi Poet-Saints by Salman Saeed
Sufi is not limited by religious bounds, He discloses not the war he wages in his mind, Helps and assists those who with him fight.- Shah Abdul Latif
Shah Abdul Latif Bhitai
- Poet Laureate of Sindh The Surs of Shah Jo Risalo The word " Sur" means a mode of singing .In all there are 30
Surs in Shah Jo Risalo. In Indian classical music, its " Rag" and
Raginis" are sung at different times of day and night. In Risalo the
Surs are named according to their subject matter . The underlying theme is
how the individual is to cultivate the godly attributes, negate his ego so
as to evolve to a better human being. Bhitai art is "impressionistic" . He uses the plight of the
poor, the peasantry, the fisherman, the weavers, and the helpless needy
women in his work. The ancient folklore names of his stories and episodes
such as Sasui , Marvi, Sohni , Bilawal become the means by which he attains
his end - namely that of the evolution of better human beings in society. In
many verses the virtues of patience and the evils of arrogance , anger are
stressed Examples of the Surs : -- "Sur Hussaini" glorifies the martyrdom of Hasan and Hussain. -- "Sur Samundi" sings of the trading traditions of Sindh. The
Monsoons are over and the sailors get ready to catch the receding monsoon
winds. Shah gives this poetry a metaphor of worshipping the "Deep"
sea [God] if one is to gain rubies and pearls. -- "Sur Ramkali" is devoted to Yogis/ Jogis, " they carry
nothing , not their ego, .... Shah Latif says : " Sorrows are the
ornament of joys; I have no use for joys unmixed with sorrows.... don't
follow the well beaten path ; people float downstream , you should swim
upstream.." -- " Sur Sarang" is an cry and ode for the Monsoon Rains in the
parched Sindh countryside , -- "Sur Sasui" is on the tragedy of Sassi and her lover Punhu, -- " Sur Bilawal" sings of the golden period in Sindh under the
Sammas and the tragedy of Bilawal a liberal scion of the royal , who was
killed [ crushed in an oil press] by the fanaticism of the orthodox Sammas. Look at the weavers, delicate is their love, they join every day, and learn not to part. Sufi is not limited by religious bounds, He discloses not the war he wages in his mind, Helps and assists those who with him fight. [ Sur Yaman Kalyan] " Go not far , sasui , nor give up the quest, walk not with your feet, yet sit not quite content, All connection with joys of life snap, Walk with your heart , that the journey may soon end. [ Sur Sasui ] Shah Latif’s Sasui-Punhu [ a tragic romance of the Sammas
period 1250-1350.] Sasui was born in a Brahmin family ; because her horoscope indicated that
she was destined to marry an alien ,her father floated her in a wooden box
down the Indus river. A washerman at Bambhore [ re; the folk song "mera
lutta -e shehar Bhambore nee ... singer Dr. Amjad ] found her and being
childless adopted her. Because of her beauty her name was Sasui, Sindhi for
moon [ in Sanskrit "Sashi" ]. Her beauty’s fame grew far and
wide such that it attracted a merchant prince of Mehran, Baluchistan. It was
mutual love at first sight. Punhu marries Sasui , refuses to be a trader and
settles down in Bhambore to become a washerman. On hearing this news , Punhu’s
father turns furious and sends his other two sons , who drug Punhu and take
him away while Sasui sleeps. Sasui wakes up to find Punhu gone, starts
walking barefoot in her search for Punhu. A shepherd on the way views her
with a leery eye. Sasui prays to mother earth to protect her honour and the
earth open up to end her life. Punhu meanwhile recovers and escapes back to
Bhambore only to find Sasui dead. He too meets the same end and is thus
united with sasui in death. "Sun sets , Sasui weeps tears of blood , No messenger , no traveler from whom to ask of that place , Confused she remains , but does not think of going back." [ Sur Sasui Abri] The poetry has descriptions of how all the birds and animals in the desert
were saddened by Sasui's tragedy . Shah Latif’s compassion was such that
one story relates to his adoption of two puppy dogs who were abandoned . He
called them "moti" [ pearl ] and "khenu"" [ a ball
] . These two dogs followed him around his travels with the fakirs and jogis
in Sindh.he had adopted Shah Latif’s Suhni - Mehar : [ a tragic romance of the Sammas
period 1530-1550.] The Arghun great descendants of Genghis Khan were pushed out of Kandhar
by Babar and descended on Sindh around early 1520 and were assimilated into
the Sindhi culture. The Arghuns defeated the Sammas . The Sammas are
believed to be originally J/Yadavas Rajputs who settled in Gujarat after the
early [ 900 AD ] Arab invasion and later drifted back into Sindh and fought
the Khiljis alongside the Soomros. When later peace was made, the result was
that the Hindu chiefs of lower Sindh lost power. For a while Sindh was
shared between the Arghuns and the Tarkhan. Humayaun married an Arghun
Sindhi girl Hamida Banu at a village Patt in Sindh in 1541 and Rana Birsal
of Amarkot gave shelter to Humayun. Here Akbar was born on October 15, 1542.
Isa Khan Arghun in 1655 invited the Portuguese for help against the local
tribes. Thatta was sacked. It is in this period of darkness that the episode
of Suhni -Mehar is set in . The story here that Shah Latif’s poetry sings of is the tragedy of
Suhni [the beautiful one ] - it is also known in Punjab as Sohni - Mahiwal .
Sohni is the daughter of Tula, a potter of Shadapur . Izzat Beg a
merchant-prince of Bokhara , falls in love with Sohni. . He forgets his
business and Bokhara and settles down as a buffalo-herd by the name of Sahir
across the river .Every night Sohni would swim across on her pitcher till
one day her angry and jealous sister in-law replaced the baked pitcher with
an unbaked one. As Sohni enters the river the pitcher melts and Sahir
hearing her cries also jumps in to save her , and both meet a watery grave. The last days of Shah. The history books claim that sometime before his death, Shah threw the
manuscripts of his works into the Karar lake near his village of Bhit [ the
mound/ rock ]. His reason for doing so was that his people may not
understand the main theme of messages. However his disciples had some older
copies of his work. and it was the mainly through the efforts of a lady by
the name of Mai Miamat, a disciple, who had memorised a lot of his verses.
Thus by her singing the verses, his disciples were able to record his
messages. It is said that Shah longed to perform a pilgrimage to Karbala [ the site
where Hasan & Hussain were martyred ]. As he went to Kutch to board a
ship for the journey, a pious man met him and said : " O saint you have
always said that Bhit will be your burial place ". At this remark ,
Shah went back to Bhit . It is said that he donned black garments and went into seclusion for 20
days , composing "Sur Kedaro" a serious ballad about resisting
tyranny and about the eternity of spirit and the mortalness of the body.
After this he sang "Sur Suhini" [ kahirre manjhi hisaaba - on what
count am I here ]. Shah Latif asked the jogis and the fakirs to play music and sing . He
died after three days on 22 December 1751. The only worldly possessions he
left behind were a patched cloak, a quilt and a begging bowl.
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