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the-south-asian.com December 2004 |
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December
2004 Performing Arts
Architecture Books Between
Heaven and Hell
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SHABANA AZMI - ‘RAGA OR ROCK, A ROLE SHOULD BE SUBSTANTIAL’ by Surabhi Khosla
Shabana Azmi is fast becoming an over-50 superstar.
Morning Raga is yet another proof that stars who mature with years are
like good wine. She has a style that is extraordinary, beauty that is
classic and an intellect that keeps ticking. She is a social activist,
politician and a versatile actor all rolled into one - which is why a
meeting with Shabana Azmi can affect one in different ways. Through her multifaceted personality shines a character full
of depth, which is reflected in her choice of roles. A simpleton
overshadowed by her dominant older sister in Saaz, a crazed witch in
Makdee, a dominating, opinionated mother in Tehzeeb, a Los
Angeles convenience store owner in Waterborne and now a Carnatic
singer in Morning Raga. Variety sure is Shabana’s spice. She seems to improve with every film. And proof of that is
Mahesh Dattani’s latest film Morning Raga. "There has to be something
significant in the role to interest me enough. The character has to be
strong, intense or even spicy enough to seduce me", says Shabana.
In Morning Raga Azmi plays Swarnlatha, a Carnatic
singer who has lost her son in a tragedy. The film is about the painful
journey of piecing together her life again and going back to singing. Her level of compassion and empathy towards all her roles
comes from her obsession to get into the skin of the character. "It takes a
lot of practice for me to become the person I play. In Morning Raga I
was possessed with learning the basics of Carnatic music." Whenever she had the time, she would go to her teacher to
learn the nuances of Carnatic music. "I even bought CDs and listened to
them. I drove everyone a little batty by trying to sing at the top of my
voice," she laughs. Morning Raga is not the first movie she has put her
heart into. Before she started shooting for Makdee, Azmi would sleep
in a witch’s costume to get the feel of the role. Whether it is Ankur,
Arth, Godmother and Fire it is the same level of
commitment. "The roles that I take on are all non-conformist and intense.
What I like best is to play a working woman, who is forceful enough to
understand and make her own choices." Everyone knows that Shabana can walk her talk. She has gone
to lengths to explore her mind and her feelings, realized her calling in
life and gone ahead and done what she feels is right. Social worker, Member
of Parliament and an actor, she has carried all her roles with aplomb. The Real Shabana But who is the real Shabana Azmi in this multitude of
personalities? Pat comes the reply, "I am a woman, an Indian, a daughter, a
wife and a Muslim." And she adds with a smile, "I can’t separate any of
these layers from the other. They are all a part of who I truly am." So the next reasonable milestone for this remarkable woman
should be directing. "No," she says. "Not yet. Though I came very close to
assisting Aparna Sen in Gulel, but the film never happened. Maybe if
the right script comes along I might just do it." In an industry that seems to be finally moving away from the
female stereotype, Shabana at 54 is a superstar. She doesn’t just grab the
audience’s attention; she captivates them and leaves them awestruck. A stack
of accolades for her performances is the proof that she is admired for her
singular contribution of elevating the status of the heroine in Bollywood
and indeed for lending a new respectability to actresses through her
powerful roles. ***** |
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