saLT |
the-south-asian Life & Times January - March 2011 |
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Cover Story Eminent
Pandits Veer Munshi Pradman Kaul Pandit Bhajan
Sopori Photo
Feature Aviation
Wildlife Comment
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Sabyasachi Mukherjee – SALT Designer of the Decade In our almost four years of exciting life, this is SALT’s
first ever feature on Fashion. Many of our readers, especially from abroad,
have been requesting coverage of fashion in South Asia. It was decided to
feature one person, from among all South Asian countries, whose
contribution, creativity, consistency – and originality – were undeniably
ahead of others in the past decade. We, therefore, asked our discerning
readers and other keen followers and critics of fashion – within India and
abroad – to name the ‘Designer of the Decade.’ There were no close ties –
the verdict was very clear – Sabyasachi Mukherjee! For somebody so young and new to the fashion industry,
Sabyasachi’s success has been nothing short of meteoric. We bring you a
glimpse of his past creations and a foretaste of his 2011 collection. –
Editor The closing collection by Sabyasachi Mukherjee on the final
day of the Lakme Fashion Week was a great and a grand spectacle. He had
created a bridal collection almost entirely out of Patan Patola.
Patola saris are a 750-year-old traditional weave indigenous to Patan, a
small town in northern Gujarat. Creating a patola sari is a six to eight
month process. The fabric is woven using the complicated double ikat
weaving technique, the details of which are a closely-guarded family secret,
handed down from generation to generation by the artisans. In fact, there
are only four families now that still weave patola fabric - once worn by
royalty. Eleven years ago, Sabyasachi Mukherjee graduated from the National Institute of Fashion Technology, India, with three major awards - and four months later, introduced his own label ‘Sabyasachi’. By 2005 he had shown his collections on catwalks in New York, London, Milan, Oxford – and of course India. At once bohemian, elegant and stunning, his creations – in rich colours and unusual ancient fabrics with creative ethnic embellishments – are a work of art. He has made extensive use of bagru prints from Rajasthan on cotton and other hand woven fabrics. He describes his own collections as ‘an International styling with an Indian soul’.
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