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"Chogân" by Master Mahmmoud
Farshchiyâ
ORIGIN & HISTORY OF CHOGÂN (POLO)
provided
by
Circle of Ancient Iranian Studies
at
School of Oriental & African Studies (SOAS),
University of London
“Let
other people play other things – the king of game is still the
game of kings”
This
verse is inscribed on a stone tablet next to a polo ground in
Gilgit, north of Kashmir, near the fabled silk route from China to
the West.
In one ancient sentence it epitomises the feelings of the
players today.
Polo
is arguably one of the most complex of games in the world. The
precise
origin of polo is obscure and undocumented and there is
ample evidence of the game's regal place in the history of Asia. No
one knows where or when stick first met ball after the horse was
domesticated by the ancient Iranian (Aryan) tribes of Central Asia
before their migration to Iranian plateau; but it seems likely that
as the use of light cavalry spread throughout Iranian plateau, Asia
Minor, China and the Indian sub-continent so did this rugged game on
horse back.
Many
scholars believe that polo originated among the Iranian tribes
sometime before Darius the Great (521-485 BCE) and his cavalry
forged the Second Iranian Empire. Certainly
it is Persian
literature and art, which give us
the richest accounts of polo in
antiquity.
Ferdowsi,
the most famous of Iran’s poet-historian, gives a number
of
accounts of royal polo tournaments in his 9th century epic,
Shâhnâmeh (the epic of kings). Some believe that the Chinese (the
Mongols) were the first to try their hands at the game, but in the
earliest account, Ferdowsi romanticises an international match
between Turanian force and the
followers of Syavoush, a legendary
Persian prince from the earliest centuries of the Empire. The poet
is eloquent in his praise of Syavoush's skills on the polo field.
Ferdowsi also tells of Emperor Sapour-II of Sasanian dynasty of the
4th Century A.D., who learn to play polo when he was only seven
years old.
Another
9th century historian, Dinvari, describes polo and its
general
rules and gives some instructions to players including such
advice as 'polo requires a great deal of exercise’, ‘if polo stick
breaks during a game it is a sign of inefficiency' and 'a player
should strictly avoid using strong language and should be patient
and temperate'. During the 10th century the Iranian King Qabus of
Ziyarid dynasty, also set down some general rules of polo and
especially mentioned the risks and dangers of the game.
The
best-known references to polo in Persian poetry are from the
Rubâiyâts
of Omar Khayyâm. He uses polo to illustrate philosophical
points. Also there are many of the Persian manuscripts in which
these references appear are beautifully illustrated with miniatures
depicting royalty and their best horsemen playing polo.
The
13th century common era, Iranian poet Nezâmi (1126-1180), weaves
the love story of the Sasanian
Emperor Khosrow Parviz (590AD) and
his beautiful consort Shirin, around
her ability on the polo field,
and describes matches between the Emperor and his courtiers and
Shirin and her ladies-in-waiting.
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